| Birdman/Bandman: A Q&A with Shearwater's Jonathan Meiburg Listening to the music of the Austin, Tex.–band Shearwater, you get the sense that it has a bird fetish. In general, the group's lyrics are distinctly naturalist--painting pictures of wildlife and untouched ecosystems--but birds tend to appear in these narratives more often than other animals. In fact, the majority of the group's album covers are avian-themed, and the band's name itself refers to a seabird with especially long wings.Almost all of this bird business is the work of the group's singer/songwriter, Jonathan Meiburg. A tall, skinny, unfailingly polite guy with a gentle voice--both speaking and singing--he powers both Shearwater's soaring songs and its avian aesthetic. But, Meiburg is no fetishist when it comes to birds--he doesn't just walk around town with binoculars and a copy of The Sibley Guide to Birds looking for feathered friends aloft in the sky or perched in trees. Meiburg has had fully immersive experiences, tracking birds on remote islands where he--or any other human, for that matter--is a rarity. [More] feeds.feedburner.com |
Hutterites Are Model Gene Community [The following is an exact transcript of this podcast.]You may have heard of genetic research being done in Iceland. It’s a rich venue, because Icelanders have a limited gene pool and highly detailed genealogical records. Well, it looks like we have our own version of Icelanders here in the U.S. They’re called the Hutterites, and they live in rural South Dakota. Researchers from the University of Chicago and Northwestern have been studying the Hutterites for decades. Almost 1,300 members of the community emigrated from Germany to South Dakota in 1874. Today they number in the tens of thousands. They live similar communal farming lifestyles, so they experience common environmental influences. [More] feeds.feedburner.com |
October is Michigan Archaeology Month The Michigan Historical Museum and the Office of the State Archaeologist have made it easy for you to explore Michigan's underground and underwater heritage. michigan.gov |
Mata Hari executed Mata Hari, the archetype of the seductive female spy, is executed for espionage by a French firing squad at Vincennes outside of Paris.She first came to Paris in 1905 and found fame as a performer of exotic Asian-inspired dances. She soon began touring all over Europe, telling the story of how she was born in a sacred Indian temple and taught ancient dances by a priestess who gave her the name Mata Hari, meaning "eye of the day" in Malay. In reality, Mata Hari was born in a small town in northern Holland in 1876, and her real name was Margaretha Geertruida Zelle. She acquired her superficial knowledge of Indian and Javanese dances when she lived for several years in Malaysia with her former husband, who was a Scot in the Dutch colonial army. Regardless of her authenticity, she packed dance halls and opera houses from Russia to France, mostly because her show consisted of her slowly stripping nude.She became a famous courtesan, and with the outbreak of World War I her catalog of lovers began to include high-ranking military officers of various nationalities. In February 1917, French authorities arrested her for espionage and imprisoned her at St. Lazare Prison in Paris. In a military trial conducted in July, she was accused of revealing details of the Allies' new weapon, the tank, resulting in the deaths of thousands of soldiers. She was convicted and sentenced to death, and on October 15 she refused a blindfold and was shot to death by a firing squad at Vincennes.There is some evidence that Mata Hari acted as a German spy, and for a time as a double agent for the French, but the Germans had written her off as an ineffective agent whose pillow talk had produced little intelligence of value. Her military trial was riddled with bias and circumstantial evidence, and it is probable that French authorities trumped her up as "the greatest woman spy of the century" as a distraction for the huge losses the French army was suffering on the western front. Her only real crimes may have been an elaborate stage fallacy and a weakness for men in uniform. history.com |
Congress investigates Reds in Hollywood On October 20, 1947, the notorious Red Scare kicks into high gear in Washington, as a Congressional committee begins investigating Communist influence in one of the world's richest and most glamorous communities: Hollywood.After World War II, the Cold War began to heat up between the world's two superpowers—the United States and the communist-controlled Soviet Union. In Washington, conservative watchdogs worked to out communists in government before setting their sights on alleged "Reds" in the famously liberal movie industry. In an investigation that began in October 1947, the House Un-American Activities Committee (HUAC) grilled a number of prominent witnesses, asking bluntly "Are you or have you ever been a member of the Communist Party?" Whether out of patriotism or fear, some witnesses—including director Elia Kazan, actors Gary Cooper and Robert Taylor and studio honchos Walt Disney and Jack Warner—gave the committee names of colleagues they suspected of being communists.A small group known as the "Hollywood Ten" resisted, complaining that the hearings were illegal and violated their First Amendment rights. They were all convicted of obstructing the investigation and served jail terms. Pressured by Congress, the Hollywood establishment started a blacklist policy, banning the work of about 325 screenwriters, actors and directors who had not been cleared by the committee. Those blacklisted included composer Aaron Copland, writers Dashiell Hammett, Lillian Hellman and Dorothy Parker, playwright Arthur Miller and actor and filmmaker Orson Welles.Some of the blacklisted writers used pseudonyms to continue working, while others wrote scripts that were credited to other writer friends. Starting in the early 1960s, after the downfall of Senator Joseph McCarthy, the most public face of anti-communism, the ban began to lift slowly. In 1997, the Writers' Guild of America unanimously voted to change the writing credits of 23 films made during the blacklist period, reversing—but not erasing—some of the damage done during the Red Scare. history.com |